In Grotjahn’s first “butterfly paintings,” clusters of vibrant, gradated triangular forms were anchored to vertical tangents, vehicles by which to treat problems in classical perspective such as dual and multiple vanishing points. As he continues to mine this hieratic motif—which over the last decade has yielded extensive permutations that invoke narratives central to modernist painting, from the utopian vision of Russian Constructivism to the hallucinatory images of Op art—the allusions to the natural worl…
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Mark Grotjahn – MARK). Storr, Robert (GROTJAHN Koop Vandaag
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